B, exhibition or special goods

On this Fehr soprano school recorder the recorder head does not match the colour of the lower body.However, this bicolour colouring has no influence on the sound and quality of the soprano recorder.The instrument is supplied in a Fehr bag with fingering chart, cork grease and wiper. The recorder with the article number: 212BI-FEH built by Fehr Blockflötenbau has acquired cult status among music teachers over the last few decades as"the reliable school recorder".The pear wood used for this instrument is particularly impressive due to its dimensionally stable quality. The special features of this wood can best be described in the following words: Pear wood: Soft, choral sound. Suitable for playing in a group. The construction concept of the instrument, which has been tried and tested for decades and has often been copied, goes back to the legendary recorder maker Conrad Fehr and continues to impress with its good durability in rough school use. The scale The inner bore of the recorder is slightly cylindroconical, somewhat wider than normal school recorders. This type of bore gives the instrument its typical warm sound. Who is the instrument aimed at? Recorder teachers who want to give their students a good start with the recorder.

This alto (treble) recorder made of pearwood has received a small pressure mark on a labium limb during an exhibition, but this does not affect the sound. The instrument has the full Blockfloetenshop.de guarantee

We are clearing our warehouse

B-stock. Exhibition piece with a small blemish. The recorder sustained minor damage to the right labium limb at an exhibition. This has been professionally repaired. The recorder works perfectly and the damage can only be seen. It cannot be heard. You can't get such a high-quality recorder any easier or cheaper. The recorder with the article number: 2314-KUE built by Küng is a companion that provides tireless fun when playing.This special feature is largely due to the skilful combination of the unique model in interaction with the tone colours of the boxwood material used. The material used for this instrument is strikingly pleasing due to its typical sound characteristics. The properties can be characterised as follows: Boxwood: Powerful, high-pitched sound. The scale The inner bore of the recorder is slightly cylindroconical. This type of bore gives the instrument its typical sound.In principle, recorders with a wider bore sound warmer, fuller, more fundamental and therefore more suitable for ensembles than instruments with a narrower scale. For which musical styles can the instrument be best utilised? Boxwood is predestined for instruments focussing on choral playing, recorder ensembles and orchestras, other styles are possible. Who the instrument is aimed at The above facts show that boxwood instruments are particularly suitable for ambitious amateurs and advanced players. Another rule of thumb worth noting is that a high-quality instrument generally makes music-making less complicated than a supposedly cheap one. The windway of the recorder The windway is the area in the headjoint of the recorder where the air is moulded into a sheet of air. This sheet of air is one of the most important elements of the instrument's sound and, together with the labium, the air sheet creates the vibration that generates the flute's sound. The shape of the windway is therefore very relevant to the sound and response of the recorder. The windway of the Küng 2314-KUE recorder is shaped as follows: curved, conical.Conically shaped windways accelerate the breath more than cylindrical ones. Windways are extremely complex in their design and many parameters are influenced by each other.

This model is no longer made from this wood by Mollenhauer. For this reason, it is a discontinued model and can be purchased by you at a favourable price. The instrument with the model designation: 5129-MOLL built by Mollenhauer is a companion that can always create fun while making music.This characteristic is largely due to the masterful composition of the ingenious instrument model in combination with the expressive possibilities of the European boxwood material used. This material fascinates with the instrument's unique advantages. The special features can be characterised in this way, whereby it is in the nature of things that sounds can only ever be described very inadequately with words. This is why the sound of a recorder is perceived and described slightly differently by each person: . The scale The inner bore of the instrument is . This type of bore gives the model its typical sound.In principle, instruments with a wider bore sound warmer, fuller, more fundamental and therefore more suitable for ensembles than recorders with a narrower bore. For which musical styles is the instrument best suited? European boxwood is predestined for recorders that are used in the . Who is this recorder aimed at? This means that recorders made from European boxwood are particularly suitable for. A second important rule of thumb is that a more sophisticated instrument generally makes music-making more enriching than an inexpensive one. The windway of a recorder The windway is the area in the recorder head where the air is moulded into a thin sheet of air. This sheet of air is the nucleus of the instrument's sound, and the vibration that generates the recorder's sound is created from the sheet of air at the labium. The shape of the windway is therefore one of the defining features of the recorder's musical expressiveness. The windway of the Mollenhauer 5129-MOLL recorder is shaped as follows: .Conical windways accelerate the air blade more than cylindrical ones. Windways are naturally complex in their design and many parameters influence each other. Fingering The Mollenhauer 5129-MOLL instrument is made in the fingering: Baroque double hole. Construction method The construction of an instrument has an extraordinary influence on the way in which the recorder is handled on a daily basis, both in terms of ease of grip and ease of transport. This is a point that should not be underestimated, especially when transporting larger (and sometimes several) instruments.Conductors of large ensembles know how useful good and compact recorder transport packaging is. Provided the instruments can be easily disassembled. Packaging and accessories The instrument is supplied with the following accessories as standard: Hygiene tips If the recorder is rented out frequently, it is advisable to disinfect the headjoint if necessary to ensure hygienic safety, and Flautisept has proven effective for cleaning. Flautisept can be found in our collection and works with the following surfaces: Glazed surfaces, waxed surfaces, lacquered surfaces, RESONA, spirit-stained surfaces, linseed oil surfaces, untreated wooden surfaces, ABS plasticsBut to be on the safe side, test on an inconspicuous area before use to ensure that Fautisept does not leave any discolouration on your recorder. Optional information on keys It is not always possible to place tone holes in places in the body that are easy and comfortable to play with your fingers. Especially on bass instruments, tone holes are not ergonomically accessible for acoustic reasons. On such instruments, keys are fitted by the instrument maker to make playing much easier or even possible in the first place.The 5129-MOLL instrument has the following keys: . This makes it easy to play even for players with smaller hands. Notes on finding a new instrument How to find your future instrument easilySeek expert advice!Never let "well-intentioned" advice put you off testing an instrument for yourself: your musical perception is as unique as you are. Therefore, only you can decide for yourself which recorder will tempt you to "make music endlessly". Our recommendation is therefore: Try out new manufacturers that you may never have tested before - you can only win.

Sale due to model change The cross stands for the Paetzold by Kunath double basses are no longer manufactured with the rubber rollers. The new stands have adjustable rubber plates. We are therefore having a stock clearance sale. However, if you have adjusted the rubber rollers to your bass with a fine file, this stand will work perfectly and you will have saved a lot of money. The head cross stand for Paetzold MASTER series recorders consists of two stable birch plywood panels.The dampers protect the instruments from damage.The instruments are placed in the cross stands with the headboard facing downwards. To use the stand, the two boards are simply pushed together. A single handle is required for easy transport. The two plates can be stowed away to save space in no time at all.

Sale due to model change The headrest stands for the Paetzold by Kunath Basset are no longer manufactured with the rubber rollers. The new stands have adjustable rubber plates. We are therefore having a stock clearance sale. However, if you have adjusted the rubber rollers to your bass with a fine file, this stand will work perfectly and you will have saved a lot of money. The headstock stand for Paetzold MASTER series recorders consists of two stable birch plywood panels.The dampers protect the instruments from damage.The instruments can be placed in the headstock stands with the headstock facing downwards. This allows the spike to remain mounted. To use the stand, the two plates are simply pushed together. A single handle is required for uncomplicated transport. The two plates can be stowed away to save space in no time at all.

Sale due to model change The headstock stands for the Paetzold by Kunath double basses are no longer manufactured with the rubber rollers. The new stands have adjustable rubber plates. We are therefore having a stock clearance sale. However, if you have adjusted the rubber rollers to your bass with a fine file, this stand will work perfectly. The head-cross stand for Paetzold recorders of the MASTER series consists of two stable and birch plywood panels.The dampers protect the instruments from damage.The instruments are placed in the cross stands with the headboard facing downwards. To use the stand, the two boards are simply pushed together. A single handle is required for easy transport. The two plates can be stowed away to save space in no time at all.If you use a telescopic spiked leg on your instrument, this can remain attached to the instrument and does not need to be removed from the instrument before placing it in the cross head stand.

Sale due to model change The headstock stands for the Paetzold by Kunath double basses are no longer manufactured with the rubber rollers. The new stands have adjustable rubber plates. We are therefore having a stock clearance sale. However, if you have adjusted the rubber rollers to your bass with a fine file, this stand will work perfectly. The head cross stand for Paetzold recorders of the MASTER series consists of two stable and birch plywood panels.The dampers protect the instruments from damage.The instruments are placed in the cross stands with the head section facing downwards. To use the stand, the two boards are simply pushed together. A single handle is required for easy transport. The two plates can be stowed away to save space in no time at all.If you use a telescopic spiked leg on your instrument, this can remain attached to the instrument and does not need to be removed from the instrument before placing it in the cross head stand.

Sale due to model change The twin stands for the Paetzold by Kunath greatbasses are no longer manufactured with the rubber rollers. The new stands have adjustable rubber plates. We are therefore having a stock clearance sale. However, if you have adjusted the rubber rollers to your bass with a fine file, this stand will work perfectly and you will have saved a lot of money. The twin stands for Paetzold MASTER series recorders consist of three stable birch plywood panels.The dampers protect the instruments from damage.The instruments can be placed in the twin stands either with the bottom end or with the headstock facing downwards. This allows the spike to remain mounted.To use the stand, the two panels are simply pushed together. A single handle is required for uncomplicated transport. The two plates can be stowed away to save space in no time at all.

As can be seen in the pictures, the recorder has slight irregularities in the stain around the tone holes. The recorder with the article number: TA415M-TAK manufactured by Takeyama is an instrument that can provide lasting enjoyment when playing.This is due to the clever combination of the ingenious design in symbiosis with the qualities of the maple material used. This material inspires the instrument with its typical advantages. The special characteristics can be roughly described as follows, although it is in the nature of things that sounds can only ever be inadequately described in words. This is why the sound of recorders is perceived and described a little differently by each person: Maple: Warm and clear, somewhat thinner than pear wood. The scale The inner bore of the recorder is slightly cylindroconical. This type of bore gives the model its typical sound.In principle, instruments with a wider bore sound warmer, fuller, more fundamental and therefore more suitable for ensembles than recorders with a narrower bore. What styles of music can the instrument be used for Maple is particularly suitable for instruments focussing on baroque music, other styles are possible. Who is this recorder aimed at It follows that maple recorders are particularly suitable for students and professional players. Another basic rule is that a more sophisticated instrument generally makes learning progress easier than a simple one. The windway of the recorder The windway is the area in the head of the instrument where the blowing air is moulded into a thin sheet of air. This sheet of air is the nucleus of the instrument's sound production, and it is at the labium that the vibration that fundamentally generates the flute tone is created from the sheet of air. The shape of the windway is therefore extremely relevant for the variability of the instrument's musical expression. The windway of the TA415M-TAK model from Takeyama is shaped as follows: curved, conical.Conically shaped windways accelerate the breath more than cylindrical ones. Windways are complex in their geometric design and many parameters influence each other. Fingering The Takeyama TA415M-TAK instrument is offered in fingering: Baroque double hole. Multi-piece construction The structural design of a recorder in terms of its multiple parts has an extraordinary influence on the way in which the woodwind instrument is handled in everyday use, both in terms of ease of assembly and safe transport. This is a point that should not be underestimated, especially when transporting larger (and sometimes several) instruments.Recorder ensemble leaders will agree with us. Packaging and accessories The recorder is supplied with a bag and accessories as standard.

As can be seen in the pictures, the recorder has slight irregularities in the stain in the area of the tone holes. The recorder with the article number: TA442M-TAK manufactured by Takeyama is an instrument that can provide lasting enjoyment when playing.This is due to the clever combination of the ingenious design in symbiosis with the qualities of the maple material used. This material inspires the instrument with its typical advantages. The special characteristics can be roughly described as follows, although it is in the nature of things that sounds can only ever be inadequately described in words. This is why the sound of recorders is perceived and described a little differently by each person: Maple: Warm and clear, somewhat thinner than pear wood. The scale The inner bore of the recorder is slightly cylindroconical. This type of bore gives the model its typical sound.In principle, instruments with a wider bore sound warmer, fuller, more fundamental and therefore more suitable for ensembles than recorders with a narrower bore. What styles of music can the instrument be used for Maple is particularly suitable for instruments focussing on baroque music, other styles are possible. Who is this recorder aimed at It follows that maple recorders are particularly suitable for students and professional players. Another basic rule is that a more sophisticated instrument generally makes learning progress easier than a simple one. The windway of the recorder The windway is the area in the head of the instrument where the blowing air is moulded into a thin sheet of air. This sheet of air is the nucleus of the instrument's sound production, and it is at the labium that the vibration that fundamentally generates the flute sound is created from the sheet of air. The shape of the windway is therefore extremely relevant for the variability of the instrument's musical expression. The windway of the TA442M-TAK model from Takeyama is shaped as follows: curved, conical.Conically shaped windways accelerate the breath more than cylindrical ones. Windways are complex in their geometric design and many parameters influence each other. Fingering The Takeyama TA442M-TAK instrument is offered in fingering: Baroque double hole. Multi-piece construction The structural design of a recorder in terms of its multiple parts has an extraordinary influence on the way in which the woodwind instrument is handled in everyday use, both in terms of ease of assembly and safe transport. This is a point that should not be underestimated, especially when transporting larger (and sometimes several) instruments.Recorder ensemble leaders will agree with us. Packaging and accessories The recorder is supplied with a bag and accessories as standard.